copenhagen’s music for dreams continue their string of pearls in 2016 with the 12” release of apiento & lx’s dish. at the request of cutting edge danish designer trine lindegaard, paul byrne (aka apiento) created this music to accompany her dish project - a playful fusion of food, fashion and art - when it premiered at 2016 copenhagen fashion week. for the project, lindegaard worked with members of integration organization itmv in copenhagen to produce clothing items based on their favourite food dishes, apiento and regular collaborator uk-based house producer lx, used the recorded interviews of their discussions as raw material with cut-up samples of the women’s voices woven into the music for the runway show. the result is an ethereal and avant-garde mix of crisp beats and featherlight percussion blended in a fresh and modern oriental-flavoured balearic groove packed with gorgeous flutes and kalimbas. the powerful dub on the flip-side brings a heavier more trippy feel geared firmly for the dancefloor. as well as a string of great remixes and edits as apiento, paul byrne is also well known for his behind-thescenes work with labels like junior boy s own, international feel and deewee, and for his highly influential blog test pressing. limited edition vinyl - don’t miss.

from hudd trax and dessous through to one and karat, parisian producer andrade has graced many a fine label in his time. he lands on politics of dancing in fine fettle, jumping to the task with a-side cut -the bridge- like he s got something to prove. the beat is irrefutable, while the soulful chords and samples rubbed into the joints make it all the sweeter. -control- on the b-side is an airy affair that floats on plush layers of melody without losing its low-end impact. by way of variation, the remixes from dan ghenacia and art alfie simmer andrade s originals down into measured, tool-like constructions.

vinyl 12” with instrumentals, bass links, an accapella and a remix. cover art by bee.

after years of constant work in the industry, multiple releases on respectable labels maher has stepped out on his own to bring forth the other side. his new label which brings forth his passion for everything music and art. this first package is sure to make some noise and really set the tone for the labels launch and first release. 180g and amazing fullcover print. vinylonly.

originally released as a soundtrack in 1974, and long out of print, cinewaxs reissue is remastered from the original tapes and is presented as an exact reproduction of the original album artwork featuring jim pearsalls classic film art. sometimes, it doesnt take very long to create something brilliant. when producer robert evans rejected phillip lambro’s original score for chinatown, jerry goldsmith was hired to create another, from scratch, in just 10 days.

following up from the #3 white lp compilation - #3 black feature 7 more exclusive track to celebrate nous s 3 yrs in business... tip!

garofano rosso s triumphant return to giallo disco comes in the form of his debut album titoli di coda . a bloodied trip to the microcosm of a doomed city, a neon-noir at the corner of gordon & cole, where old cellar doors slam like gated snares and justice comes with a bullet. in between krautrock funk, straight up-crime solving disco and instrumental ballads almost gothic like in their epicness, the artist also known as giorgio luceri, whose releases on mathematics have been turning heads for many years, births this daring and impressive debut that we re immensely proud to release on giallo disco. art by eric a lee.

after a splendid, sought after 12- on pyramids of mars, an already expensive edits split ep with red axes and his highly original and acclaimed self released debut album -don t touch my sister-, rouge mecanique delivers a stone cold classic ep for discos capablanca. the psychedelic steady muscle of all will be changed aims to destroy visionary dance floors. sans scrupules is the most surprising acid banger you will likely hear this year. ampedusa / xaver defies description and its mutant sound could evoque ecstatic early minimal house references, kraut and concrete music. can i say is simply put the most elegant, languid way to say goodbye to an ep that exudes sheer brilliance and character. housed in hand silkscreened sleeves with art by capablanca. timeless applies here.

limited lp & 7- pack from synth pop(?) giant, design a wave.... big sound on these cool electronic disco edged cuts.. hangman style design by cosmo knex - big tip! copenhagen based conceptual music act design a wave returns with ‘snakeface’, a document of surprise within the composition process. specifically, design a wave uses the computer to create several beats and then utilises the mutated results as building blocks for several new compositions. interest in computer-synthetic snakes, beyond all networks of communication and agency art, centres on placing these formless serpents into existing genres, such as music. snakeface is a timely exploration of the infectious qualities of music, and how it too, as a carrier, makes it’s way through neural networks, irreducible to bits and designed to infiltrate and replicate.

be y&#333,kai’ is the collaborative project from techno duo minilogue’s sebastian mullaert , fellow swedish composer douglas holmquist and celebrated illustrator/animator kristofer ström . uniting music with art and the moving pic ture, ‘facefist’ leads a multimedia experience through a trio of mesmerising audio/visual trips - two films (‘facefist’ and ‘facemissed’) featuring japanese anime-inspired shape-shifting creatures and a third more abstract, alternate vision/soundscape( ‘facekissed’).standalone track ‘facetwist’ is a more propulsive version of leadtrack ‘facefist’.this debut release will be landing as a rare treat from hypercolour offshoot space hardware with a limited run of vinyl. art flourishes when the freedom, flow and creativity intersect. often a direct response to resistance, art transcends borders and the physical to allow transmission of the soul, emotion and consciousness.

rückblende. der krieg herrscht in kabul. nach einem bombenanschlag steht fuchy vor dem, was einmal sein zuhause war: alles ist schutt und asche und lähmender schmerz. er sieht sich um. nichts ist ihm geblieben, außer seinem querkopf und seiner superkraft, die musik. damit bewaffnet, bricht er auf in die ferne, fremde, ungewisse welt des westens. dies ist der narrative rahmen für die abenteuer des kleinen, kauzigen kämpfers fuchy. die geschichte eines geflüchteten aus afghanistan, der versucht, sich seine neue umgebung nach seinen eigenen regeln zu erschließen - und dabei instinktiv beats von genuiner schönheit rausballert. fuchy ist gezeichnet, animiert, erfunden, eine art orientalische hip hop-variante von bart simpson. aber gleichzeitig könnte er realer nicht sein. weil er voller widersprüche ist. fuchy, das ist der protagonist von -420- und zugleich das alter ego des in hamburg lebenden musikproduzenten farhad -farhot- samadzada. farhot, vor 34 jahren im afghanischen kabul geboren, hat nicht nur mit deutschen top-künstlern wie max herre, haftbefehl, samy deluxe, chefket, karate andi und xatar gearbeitet. er hat ebenso erfolgreich mit internationalen künstlern wie der soul-sängerin nneka aus nigeria, selah sue, der grime-königin ms dynamite oder den us-amerikanischen hip hop-stars talib kweli und isaiah rashad zusammengearbeitet. seit einiger zeit betreibt farhot zudem sein eigenes label kabul fire.

für sein bereits drittes album pendulum swing unter dem moniker laish verließ der britische sänger danny green seine heimatszene in brighton und stellte sich den herausforderungen der großstadt london. diese frischzellenkur ist dem singer/songwriter bestens bekommen, denn neben sanften folksongs auf der gitarre intoniert laish nun auch veritable art-rock-jams. und mit dem zweiten song des albums learning to love the bomb ist ihm auch ein radiotauglicher ohrwurm gelungen.
die vinyl-lp erscheint inklusive downloadcode.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

lord of the isles, a.k.a. neil mcdonald, has spent the better part of a decade steadily producing and releasing beautiful music. the esp institute has always wholeheartedly believed in neil’s work ethic and his journey as an artist who constantly refines his vision, and when we inevitably approached in hopes of working together, we were enamoured by the sheer breadth and depth of work he had in progress’. there are two types of artists. one internalises their process, endlessly perfecting their work while finding the endpoint a massive hurdle, in turn they produce immaculate yet very little art. the other is continuously inspired, so full of ideas they can barely work fast enough to articulate them all. the art becomes by-product of their larger trajectory and not just a collection of endpoints. lord of the isles seems to be both, always in an evolving state of process where the work is constantly shed to make way for the new layer growing beneath, yet he holds his cards closely, cherry picking when and with whom he releases his art into the world. neil is simply prolific. he shared with us a vast catalog of unheard beauty, which over a long span of time was collaboratively shaped into his debut album “in waves”. the title speaks to neil’s process both intimately and from afar, it speaks to the emotional ebb and flow of the music itself, and ultimately it speaks to the listener. ahead of the album’s release, we are proud to share with you the single ‘weh-in’, a mesmerizing arpeggio melody that opens and closes, purrs and barks, and plays nicely with its percussive accompaniment over more than 10 minutes. this lengthy single version of the track is joined by a dark and stormy, exclusive non-album cut entitled ‘pik’, as well as a big room rave remix by esp institute resident ian blevins, which take us to a slightly more frantic place while retaining the euphoric essence of the original.

spilt milk recordings was launched in early 2015 off the back of the esteemed london events with resident dj marc ashkens lupine ep, since then the label has gone on to release material from founders tred benedict and st. bernard alongside remixes from alexi delano and mihai popoviciu and picking up support from the likes of art department, matt tolfrey, huxley and sidney charles along the way.

dj and producer, co-founder of the legendary london club night lost, steve bicknell returns to the fray with a brilliant new 12, modes of thought. comprising three full tracks and six locked grooves, the record represents the debut release on bicknells brand new label, 6dimensions. art by harumasa kono.

another 1991 italian house classic, produced by moz-art and ricky montanari for irma records. now reissue on flash forward records big tune!

giallo disco returns from hiding all summer, taking comfort in the encroaching darkness with a very special ep from the one and only ali renault. someone we wanted on the label from the very start (though we teased out a remix of his on the mater suspiria vision ep under his parasols moniker) we’re proud to present ‘keeper of the seven keys’: three tracks of cosmified aphex bliss, where pan pipes are the sound of death whistles and hats scatter like falling shells. the sky is falling and it sounds amazing. closing up the ep is a special italo-tech remix by antoni maiovvi. lovingly mastered by your friend alek stark. art by eric a lee.

after excellent remixes for kalyma (connected 006) and terranova (connected 004) aaaron releases his own ep on connected. closely associated with rampa, kalyma and florian busse, amongst other minimal deep/tech house explorers, aaaron started collecting & playing vinyl at the age of 15. one year later he bought his first sampler and started producing. moving to berlin in 2003 expanded his knowledge to electronic dance music. berlin was start- of-the-art for genres like house & minimal techno back in these days. in 2013 aaaron released “feelin this”, his highest selling single so far which was released on defected records and was played & gained broad support from jamies jones, mk, hot since 82, claptone, tensnake, waifs & strays, rampa, re.you and many more. after this,he released in 2014 splendid on get physical music followed by another cutting-edge ep for defected records named -what makes you itch. in 2015 he released whatcha say on jena s fatplastics label which sven va&#776,,th included in his sound of the 16th season ibiza compilatio

the epic botanical beat suite, the fourth release from percussionist adam rudolphs ever-evolving hu vibrational—is a trance-inducing rhythmic trip. recorded and mixed at bill laswells state of the art studio.

deep techno that nods to mid 90s detroit techno, carl craigs more songs about food and revolutionary art, kenny larkin s dark comedy, reese. we obviously receive a lot of demos at crowdspacer, and we can t listen to them all, one detail has to catch our attention. it can be how you present yourself, a weird artwork, or like here, a name, aqua matrix. i wanted to check what aqua matrix was about. and what a surprise to hear such amazingly produced deep techno that brought me back to my love for mid 90s detroit techno, carl craigs more songs about food and revolutionary art, kenny larkin s dark comedy, reese. this is aqua matrix first ep. he s from portugal and i can t wait to hear what he comes up with next.

editorial is back again with another stacked 12inch with familiar faces and a new arrival to the label. art of tones kicks things off with bootyshaker, inspired by uk compadre red greg. with a driving funky bassline, this jam is a bonafide party starter! the mysterious barry prophet surfaces again with a laid back slo-mo boogie vibe on closer. flip the wax for editorial stalwart matt hughes and his class funky guitar and bass work on walk the chalk. next up is italys special q bringing his nu-disco sound proper. finally, the sellout s close out the ep with a heady downtempo smokey joint.as you know, this is: the way we groove

based out of san francisco, extra classic is a unique live band formed with a keen appreciation of vintage reggae & vintage sounds. the aesthetic, and certainly the skilled method of their production, is an ode to the art of that classic style as referenced to the term coined by the cool ruler himself. recording in their own studio, nopal recording, the band employs a taster’s choice of analog equipment and is devotedly tracked, spliced and mixed in-house direct to tape. however, as the group’s name itself implies, there is a dose of something extra and new in this swirling mixture of space echo, heavy phase, and emotive, psychedelic california-soul.
built upon the rock of an early-era dancehall swing, their first single in conjunction with brooklyn-based imprint names you can trust entitled in this life, is a perfect slice of lover’s rock gone sideways, a decidedly left-coast piece of roots and bliss driven by adrianne delanda’s lovely lead vocals and the steady, dusty echoes of the locked in players. presented in the traditional format with a version as per nyct fashion, the dub mix incorporates a soothing dose of synare beams and underwater instrumental dreams.

* first vinyl re-issue, includes bonus track “daddy needs a throne-
* official re-issue in collaboration with original members
* 24 bit/96 khz re-master from original analog tapes
* restored art, expanded to a gatefold tip-on jacket
* includes download card, 8 page booklet with track notes by the artists, lyrics and archival photos

the album was written, produced, and distributed in garys hometown baltimore, between 1986 and 1987. after a break from performing while getting belated college degrees, gary returned to performing in the early 21st century, back to the singer/songwriter style of his past. gary feels that the generic art ensemble/original soundtrack days gave him an ability to open up his writing. his recent albums feature guitar, but many songs do have keyboards added to give them a fuller, less folky sound.

the second ep, 1987s greenfingers, was their final recorded work and, according to hayward, its possible to hear the group atomising and preparing to go its separate ways within its grooves. the only this heat or camberwell now recording not to have been produced at brixtons cold storage studios, it was recorded as a diy exercise and – unusually for either of the groups – was not pored over laboriously for a great deal of time. the ep also saw the addition of a new member, maria lamburn, primarily on sax, whose element unknown was inspired by her experiences in the nuclear protest camp at greenham common. camberwell, in south london, pops up infrequently in pop culture. perhaps you know it from the camberwell carrot, the heroically sized joint smoked in cult movie withnail & i, or perhaps – if youre attuned to experimental music – you know of camberwell now. the group formed from the ashes of this heat, the art-noise group whose catalog was reissued on modern classics recordings in early 2016.

12“vinyl with replaceable art cover version. resopal is proud to present it’s 100 vinyl release with cavaan & roar. few labels and producers have had the longevity and success of this heavyweight and this two-track 12 sees both artists demonstrate why the label is highly-regarded in the scene. title-track bitcoin by cocoon recording artist cavaan kicks off the ep in fine style with demanding drums and repetitive chord progressions par excellence which are supplemented by resounding pulses of warm bass. further elements are expertly added into the equation soon enough, such as a warped spoken-word vocal, numerous melodic textures and trippy flourishes which all come together, building and yielding as the track drops back into its rolling, sun-kissed groove. on the flip-side is santeria, by french artist duo roar which is marginally the more restrained of the two tracks on offer, characterized by a succession of subtle, misshapen sounds, twisted effects and an ascending synth which compliments the punchy percussion and melodic stabs. both tracks so subtle and charming. highly recommended stuff! first plays by luciano, ricardo ......

dark late night groovers by the odopt bad boys, straight out the kitchen of bar simachev. horrungruang is simply a killer track.

after his great record on innervisions, the guys from exit strategy convinced nuiton to get this killer release for their label. like baudelaire once said: „you need three things to create art: currentness, history and last but not least coincidence“.

the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inches (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

those who preordered, do not have to do so again, we will contact you when we have stock! the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inchs (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

steffen laschinskis project rising sun, which consists only of himself, was very productive since the release of the last album the lamentations of rising sun. in the past two years the musician and dj was a real demon of work and he loves to work in different genres and is he very diligent. his next ep series trilogy will be released in early october, comprising three vinyls. graphic designer and art director andreas haase from hamburg took care of the design. vinyl tastes better

cocoon recordings is back with another limited 10inch edition! scotsman vince watson and frankfurt cocoon family member frank lorber are in charge for our latest baby and with no exageration we feel this is going to be one of this years highlights! although hailing from erskine in scotland and meanwhile residing in amsterdam speaker freaker by vince watson appears like a detroit house gem in perfection! this is planet e, this is electronic art, this is a deeper than deep tech-house-lovers delight! if you missed the high times of detroit techno maester vince watson beams you straight back to it - however not without adding up to date soundscapes and frequencies. you might guessed it already and we have to admit: we really fell in love with this one… big time!

very first production of milan/ny house record label. gangsta rhythms and powerful bassline with our friend hector moralez in his tune -the cheetah club-. softer piano melodies and flangered ambience for the trippy -blueberry hills-. isgud label boss, tato taking the ep to another level with 2 amazing remixes! state of art master by -optimum mastering-. final verdict: it soul good!

parachute is proud and excited to release art rock unit starfuckers legendary sinistri lp, remastered and pressed on vinyl for the very first time since its original version in 1994 on underground records. formed in 1987, starfuckers is an italian avant-garde band primarily from the 1990s, considered a notable part of the experimental rock scene and one of the more out there acts during their active tenure. originally inspired by 80s post-stooges noise and new york city no wave, starfuckers eventually carved their path to their own distinctive sound by following in the footsteps of xenakis, john cage, maderna and stockhausen — all without ever abandoning their own attitude and raw personality. an incredibly important record for us here at the label, sinistri feels just as fresh in 2016 as it did in 1994.

after his first appearance on row records earlier this year zine is back with his five track debut ep on a fresh conceptual imprint which focusses on releasing mini albums. m-e is a journey from repetitive ambient textures to chord driven house excursions and saturated sampler jams. the release comes in a black screenprinted sleeve with an embossed photographic fine art print. early support by xdb, qnete, ...

das album -touch and flee- markiert einen entscheidenden punkt in der bandgeschichte des neil cowley trios. die jazzgruppe um den komponisten und pianisten neil cowley, den schlagzeuger evan jenkins und den bassisten rex horan beschreibt ihr fünftes album als ihre -concert hall record-. und tatsächlich ist das in den berühmten rak studios aufgenommene -touch and flee- das freiste, fließendste und gleichzeitig zupackendste album des britischen trios, das 2007 für sein debüt bereits mit dem bbc jazz award ausgezeichnet wurde. cowley, der sonst auch mal auf platten von popstars wie adele und birdy am klavier zu hören ist, führt sich und seine beiden mitstreiter zu neuen höhen, gerade kompositorisch war er nie besser. ausufernde melodien, lange, elegante passagen und ein wie mit breitem pinselstrich aufgeführtes spiel machen -touch and flee- zum anwärter auf den titel -bestes klaviertrio-album des jahres 2014-. das 180-gramm-vinyl erscheint mit downloadcode.

the return of the returner. 6 track mini lp. produced by william burnett, new york. sleeve design by art crime. mixed & mastered by gordon pohl, dusseldorf. tip!

• exclusive track by marcel dettmann and levon vincent
• includes 6 unreleased edits and remixes
• full tour schedule to support release
• cover art short by infamous berghain doorman sven marquardt
• download card included with lp format

one sided vinyl with silkscreened b side, comes in clear sleeve with poster numbered, edition of 350 dreams really come true: when we heard tomemitsu s beautiful lo-fi indie songs on the cassette -m_o_d_e_s- back in 2013 we fell in love! especially the track -in dreams- followed us around for months. humming it in the subway, singing along in the car. many dreams later we found out that our friend and fellow hamburger stefan marx also loves the song and even named an art show after it. coincidence? surely not, so together we made the plan to release -in dreams- on vinyl. luckily tomemitsu himself was very happy with the idea and even allowed rss disco to remix the song. the notorious dj and production trio upped the tempo to head-spinning 99bpm, recorded additional drums & bass and added several minutes of pleasure. finally, the two tracks will be released on vinyl for the first time. screen-printed records, including a poster in a clear sleeve. music by tomemitsu, designed by stefan marx, remixed by rss disco, released by mireia records. it s all a dream!

social experiment is back with a 3 cut ep that was specifically crafted for the dance floor by rising star ad/d. an individual with a long history in dance music who is set to go the next level off the back of this stunning debut package on this imprint. the ep features 2 floor destroyer grooves featured heavily in art department dj sets all year, and ends with the sublime and slightly 90s nostalgic gem * star 233411* from the canadian also knows as mario j, which is heavily influenced by the music he made and played at his iconic nightclub, industry.

dark ambient/synth lp for belgiums first long animated picture! teenage horror cult from flanders. full cartoon art, comes with download code. tip! this is the maiden vinyl voyage for ghent s maverick internet broadcasting crew, stroom. watch out

19-track compilation of songs recorded across 1983, most of which have never been released on vinyl before! bocal 5 were a no wave art group composed of doc pilot (synths, vocals), zouka dzaza (bass), florian guillou (synths), mickey lepron (electronic drums, bass) and evy tinguette (lead vocals). the project was born in november 1980 in tours, france as the brain child of doc pilot. between 1981 to 1986 bocal 5 recorded one 7inch single and a cassette-only album before taking a year off in 1984 to launch x-ray pop. influenced by erik satie, brigitte bardot, suicide and young marble giants, they call their music-minimum naive new wave.

berlin is home to both andrew claristidge and leonard de leonard and these 2 amazing producers have joined forces to create a new side project away from their respective main duties with acid washed and leonizer records. the collaboration between between andrew & leonard or ac & ldl as they are know for this release has created 3 outstanding tracks which already come heavily supported by the lucky few who have early copies of the release. the final track of the this 4 track release is a remix of the title track from acid washed who need no introduction. the ep named after the title track is increase the dosage and comes on a 180gram green record with unique cover art from the talented artist morgan navarro.

continental sugar daddies bringing you a hot new special addition: studio 89 records 001. deluxe french ticklers 3 sisters and their love. music and art as one: spanking good fun for lovers of discipline. mystery artist relaxes and touches you whilst a young couple screws nearby. let us transcend you. we are a rail service, you are a hitchhiker who will hitch more than you expect. studio 89 sucks.

andhim, kiki, einmusik und animal trainer, definieren auf ihre eigene art und weise diese kollaboration von douglas greed und mooryc. zudem gibt es 2 digitale bonus remixe von marc depulse & kevin over!

one of the most intense tunes by sven sossong’s album „atropa is lifted for this remix-ep - „world . the original is warm and spheric breaks-techno piece of art, but now we are coming up with 4 strong remixes. frankfurt-based frank savio adds a solid groove and restages the main theme into a powerful peaktime remix. the welderz from paris give the next contribution. they released on labels like flash rec., analytic trail rec. and sleaze, and here they are in the game with a dark and driven interpretation. two further remixes are done by the close environment of sossong: kenny b and daniel cuminale. both catching up the epic mood and define the track newly by bringing in the personal notes. it rocks!

having bared his ego back in may 2015 and then more of his skills on a contribution to the robsoul edits collection earlier this year, long time label buddy joss moog returns with a fresh selection of beats on ’triple loop’. belying its name, we’re treated to four new sure shots from moog who, reknowned in the art of sculpting perfect party jams, has delivered once again. the stripped and simple vocal loop of the title track opens the ep, followed by the warm, buzzing bass and smooth jazzy keys of ‘etincelles’. on the flip the frenchman funks things up and breaks out the snares. disco stabs, vocal drops and rasping hats are all woven together to emphasise the classic groove. these are the breaks… amen. back on the 4x4 to close and josh lets the piano lead the dance on the smooth and soulful finalé of his latest robsoul treat.